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Traditions of Murano Glass

The beginnings

In 1960 the oldest furnace for glass, dated for the 8th century, was discovered on a Venetian island. The 8th century established Venice as a prominent center for glass-manufacturing. The origins of glass making in this region are traced back even to the times of the Roman Empire, when glass was used to illuminate bathhouses.

In the 13th century, producing highest-quality glass items became the main industry of Venice. It led to creation of the Glassmakers Guild which was responsible for shaping and voicing rules and regulations which the Venice craftsmen were supposed to follow. The Guild was serving two purposes. Firstly, it was supposed to stand on guard of the secrets of glass making trade. Secondly, the aim was to make sure that the industry brings profit. In order to meet the above mentioned objectives, in 1271 a law was introduced that prohibited importation of foreign glass as well as employment of foreign glass workers.

One of the most significant events in Murano glass making history is the 1291 move of all furnaces used in this trade from Venice to Murano. The law triggering this event laid the ground for establishing Murano as a center of glass manufacturing. Several theories exist which try to explain why Venice wanted to move its craftsmen. One of them states that Venice was afraid of fire from the furnaces spreading over the city. It could lead to a complete destruction of Venice as the city`s building were primarily made of wood. What is more, such a fire would greatly endanger enormous in size population of Venice. However, other sources claim that the real reason behind the 1291 law was related to making the craftsmen isolated so they would not be able to share their trade secrets with foreigners. Locating them on the island in close proximity to Venice would serve the purpose: it would reduce the craftsmen contacts with outsiders, but on the other hand would let them sell their products on markets in Venice. What is interesting, in 1295 the law which forbade the glassmakers to leave the city was passed.

Venetian government was also undertaking less direct steps in order to keep glass making secluded and make Venice a leader in this industry. It was providing glass makers and their families with special treatment and high location in the Venetian social ladder. Privileged status and related to this perks were a great incentive for glass makers who encouraged their offspring to stay in the trade and carry the tradition on. Internal politics as well as convenient location of Venice as a city on a path of trade between East and West allowed it to flourish as a European monopolist in making and selling high quality glass products, such as glass vases, bowls and figurines.

Time of booming

The 15th century brought another innovation into the world of Murano glass when Master Angelo Barovier discovered the process for producing clear glass, called cristallo. Furthermore, another innovation was a discovery of lattimo which was the white glass reminding popular that time Chinese porcelain. The greatest times in Murano history also made glassmakers experiment with new techniques in production more sophisticated pieces of art. By using glass rods with inner threads of white, golden or coloured glass which twisted or intersected, they were creating filigrana glass. They also started enamelling and gilding glass as well as creating ice glass which appears as it is finely crackled.

Twilight

The 17th was not too lucrative for Murano glass and its makers. Decline of Venetia's influence as a centre of commerce as well as emergence of other glass centres in Europe, specifically located in Bohemia, England and France, led to a decrease of influence of Murano in the industry. However, it did not stop the glass makers from inventing new techniques in glass making such as avventurina which is embedding metal flecks in glass so it looks very sparkly or calcedonio which bring illusion of an item made of semiprecious stone. Murano glass was popular for its bright colours and complex floral and animal motives as decorations.

Turmoil of the 18th and 19th century

The 18th century was definitely not the best time for glass makers in Murano. Competition located in Bohemia and France and later Napoleon's conquest of Venice, which led to abolishment of the Glassmakers' Guild, put the industry in jeopardy. Even worse for the condition of Murano glass making was overtaking of Venice by the Habsburg Empire. The rulers, preferring their own glassmaking centre in Bohemia passed the law which led to virtual impossibility of bringing necessary raw material into Murano as well as exporting ready products due to the cost introduced by the law. Only 5 furnaces stayed alive and kept blowing glass.

However, the tradition still lived. The breakthrough came with arrival to the city of Antonio Salviati who opened a factory producing traditional Murano glass. Soon he was granted a fifteen-year contract for restoration of the mosaics in St. Mark's basilica. At the same time interest in old traditions of glass making in Murano came from Venice government which embodied in establishment of school for glassmakers who were taught the forgotten techniques of the craft. For the next few years, recent glass works were displayed in various exhibitions on the Italian, as well as international level. Following multiple successes, Murano regained its reputation as a centre of glass making and again became a booming economy.

Modern history

The end of the 19th century and the beginning of the 20th can be characterized as years of reproduction of classical styles and rediscovering ancient techniques of glassmaking. These pieces were greatly appreciated by international collectors and admirers of beauty of glass. However, modern times brought new European works of art in avant-garde and art nouveau style, which showed a gap that existed between pieces offered by modern artists and Murano artisans still deeply attached to the past.

The first Murano artisan who started adopting new trends was Vittorio Toso Borella. Although his first products did not completely satisfy glass connoisseurs, his later pieces became appreciated masterpieces. Borella was later accompanied in new style by Gino Rossi, Arturo Martini and Guido Marussig.

Later, art deco came. In Murano glass craft, it was represented by less decorated pieces of Vittorio Zecchin. In the 1920s-1940s, Murano glassmakers became famous of producing glass animals, glass statues of female nudes, engraving on glass, modern lighting fixtures, glass vases and glass tableware. An innovative glass making technique was introduced called vetro sommerso which let the makers produce thick glassware, which showcase one colour on the inside and another on the outside.

Minimalism, functionality and simplicity were the trends present in Murano glass making after the World War II. Such techniques as filigree, murrino and lattimo saw their come back and produced pieces which harmonized outline with colour and decoration of the pieces.

Today, Murano is again considered a capital of glass art of the world. It creates trends in glass blowing and becomes a destination for those who appreciate beauty of glass.

 

About the Author

Justyna Bialas is a Co-Founder and Co-Owner of Glamorous Glass, an online store offering European glass products such as glass vases, centerpieces, bowls, plates, and more.